Musical Style
The music of Gordian Knot is a stylistic mixture of progressive rock and metal, instrumental music reminiscent of Robert Fripp's Guitar Craft and his solo work (e.g. compare Gordian Knot's song "Grace" with Robert Fripp's "Evening Star"). Notable is their use of counterpoint, often presenting several complex intertwining layers of melodic, harmonic and rhythmic structures.
The music of Gordian Knot also relies heavily on diatonic guitar melodies although sometimes encompassing later resolved dissonances to add a jazz fusion-like flavor. The interaction between the various instruments, all played by accomplished instrumentalists, allows for communication of various melodic lines, harmonies and rhythms among guitar(s), bass and (concerning rhythms) even drums.
Also, Gordian Knot cannot be categorized without disregarding certain aspects of their music. For example, the piece "Komm, süsser Tod, komm sel'ge" is a transcription of a piece of the same name by Johann Sebastian Bach, while some of their other pieces, most notably "Grace", have a distinct classical, even baroque Bach-like flavor, being constructed in an almost counterpoint-like fashion by interweaving several independent diatonic melodic lines from the Chapman Stick.
Other songs, such as "Muttersprache" (German for "mother tongue") or "Code/Anticode" work with on-beat/off-beat, interplay between two guitars and/or the rhythm and melody section, incorporating jazz chords and dissonant intervals to create tension and form the basis for a mixture of jazz fusion and progressive rock/metal.
In November, 2009, Sean Malone yet again dismissed his touring band. The live Gordian Knot outfit consisted of Vickram Badalpur, John Webber, Thomas O' Meara, and Stephan Greenbank, who were all students at Florida State University. Upon graduating, the quartet decided to leave music and begin formal working careers, leaving Malone with no alternative but to discontinue their contracts.
Read more about this topic: Gordian Knot (band)
Famous quotes containing the words musical and/or style:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)