Goodbye Uncle Tom (Italian: Addio Zio Tom) is a 1971 Italian film directed by Gualtiero Jacopetti and Franco Prosperi and features music by Riz Ortolani.
Addio Zio Tom is a pseudo-documentary in which the filmmakers go back in time and visit antebellum America, using period documents to examine, in graphic detail, the racist ideology and degrading conditions faced by Africans under slavery. Because of the use of published documents and materials from the public record, with actors playing the role of the historical figures, the film labels itself a documentary, and portrays slave life as a non-stop orgy of violence, rape and torture committed by Whites against their Black slaves.
The Directors' cut of Addio Zio Tom draws parallels between the horrors and slavery and the rise of the Black Power Movement, represented by Eldridge Cleaver, LeRoi Jones, Stokely Carmichael, and a few others. The film ends with an unidentified man's fantasy re-enactment of William Styron's The Confessions of Nat Turner. This man imagines Nat Turner's revolt in the present, including the brutal murder of the whites around him, who replace the figures Turner talks about in Styron's novel as the unidentified reader speculates about Turner's motivations and ultimate efficacy in changing the conditions he rebelled against. American distributors felt that such scenes were too incendiary, and forced Jacopetti and Prosperi to remove more than thirteen minutes of footage explicitly concerned with racial politics for American and other Anglophone audiences.
Famous quotes containing the words goodbye, uncle and/or tom:
“The colicky baby who becomes calm, the quiet infant who throws temper tantrums at two, the wild child at four who becomes serious and studious at six all seem to surprise their parents. It is difficult to let go of one’s image of a child, say goodbye to the child a parent knows, and get accustomed to this slightly new child inhabiting the known child’s body.”
—Ellen Galinsky (20th century)
“Nor must Uncle Sam’s Web-feet be forgotten. At all the watery margins they have been present. Not only on the deep sea, the broad bay, and the rapid river, but also up the narrow muddy bayou, and wherever the ground was a little damp, they have been, and made their tracks.”
—Abraham Lincoln (1809–1865)
“The man that hails you Tom or Jack,
And proves by thumps upon your back
How he esteems your merit,
Is such a friend, that one had need
Be very much his friend indeed
To pardon or to bear it.”
—William Cowper (1731–1800)