Goodbye Uncle Tom (Italian: Addio Zio Tom) is a 1971 Italian film directed by Gualtiero Jacopetti and Franco Prosperi and features music by Riz Ortolani.
Addio Zio Tom is a pseudo-documentary in which the filmmakers go back in time and visit antebellum America, using period documents to examine, in graphic detail, the racist ideology and degrading conditions faced by Africans under slavery. Because of the use of published documents and materials from the public record, with actors playing the role of the historical figures, the film labels itself a documentary, and portrays slave life as a non-stop orgy of violence, rape and torture committed by Whites against their Black slaves.
The Directors' cut of Addio Zio Tom draws parallels between the horrors and slavery and the rise of the Black Power Movement, represented by Eldridge Cleaver, LeRoi Jones, Stokely Carmichael, and a few others. The film ends with an unidentified man's fantasy re-enactment of William Styron's The Confessions of Nat Turner. This man imagines Nat Turner's revolt in the present, including the brutal murder of the whites around him, who replace the figures Turner talks about in Styron's novel as the unidentified reader speculates about Turner's motivations and ultimate efficacy in changing the conditions he rebelled against. American distributors felt that such scenes were too incendiary, and forced Jacopetti and Prosperi to remove more than thirteen minutes of footage explicitly concerned with racial politics for American and other Anglophone audiences.
Famous quotes containing the words uncle tom, goodbye and/or uncle:
“Im not an Uncle Tom.... Im going to be here for 40 years. For those who dont like it, get over it.”
—Clarence Thomas (b. 1948)
“The colicky baby who becomes calm, the quiet infant who throws temper tantrums at two, the wild child at four who becomes serious and studious at six all seem to surprise their parents. It is difficult to let go of ones image of a child, say goodbye to the child a parent knows, and get accustomed to this slightly new child inhabiting the known childs body.”
—Ellen Galinsky (20th century)
“Is it not ironic, oh my husband? Your wife an adulteress. Your mother an adulteress. Your uncle an adulterer. Your friend an adulterer. Do you not find that amusing, dear Nicholas?”
—Richard Matheson (b. 1926)