Plot
Donald Duck and his nephews Huey, Dewey, and Louie are on a scouting expedition at Yellowstone National Park with Donald acting as the Scoutmaster. The ducks march along in military style singing "Polly Wolly Doodle." Arriving at their camp site, Donald unsuccessfully tries to teach the boys wilderness skills. He tries to chop down a petrified tree and pitch a tent with bad knots causing the nephews to laugh.
Frustrated at the nephews' lack of gratitude for his efforts, Donald decides to make them sorry by pretending to have been injured, pouring ketchup over himself. The dutiful nephews spring into action and quickly bandage Donald from head to toe. Donald is then unable to see and wanders aimlessly, eventually falling into a honey jar.
A large grizzly bear soon arrives having been attracted by the smell of food. Trying to escape the bear, Donald runs off a cliff and falls onto "Old Reliable Geyser" (a reference to Old Faithful) and gets his rear end stuck in the opening of the geyser. The water shoots Donald into the air, bringing him closer to the bear who is still above at the cliff's edge.
The nephews try to save Donald by plugging the geyser. They finally roll a large boulder over it, but the geyser is only stopped momentarily. Donald is seen later that night, still running from the bear on top of the boulder rotating under their feet, perfectly balanced on top of the continuous stream of water from the geyser. The nephews, having exhausted their means of rescuing their uncle, bed down for the night in their tent, wishing him "Good night", "Unca", "Donald".
Read more about this topic: Good Scouts
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)
“Those blessed structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (19171977)