Goldsworthy Lowes Dickinson - Works

Works

  • Revolution and Reaction in Modern France, 1892
  • The Development of Parliament during the Nineteenth Century, 1895
  • The Greek View of Life, 1896, 1909
  • Letters from John Chinaman and Other Essays, 1901
  • The Meaning of Good: A Dialogue, 1901
  • Letters from a Chinese official being an Eastern view of Western civilization, 1903 (published anonymously)
  • Religion. A Criticism and a Forecast, 1905
  • A Modern Symposium, 1905
  • Justice and liberty, a political dialogue 1908
  • Religion and Immortality, 1911
  • After the War, 1915
  • The European Anarchy, 1916
  • The Choice Before Us, 1917
  • The Magic Flute, 1920, a poetic fantasy
  • War: Its Nature, Cause and Cure, 1923
  • The International Anarchy, 1904–1914, 1926
  • After Two Thousand Years: a Dialogue between Plato and a Modern Young Man, 1930
  • Plato and his dialogues, 1931
  • The Contribution of Ancient Greece to Modern Life, 1932

Posthumous:

  • The Autobiography of G. Lowes Dickinson: and other unpublished writings, 1973, edited by Dennis Proctor, published by Duckworth, 287 pages, ISBN 0-7156-0647-6 (hardcover)
  • Causes of International War, ISBN 0-313-24565-7 ; ISBN 978-0-313-24565-7 ; 110 pages, bibliog, Greenwood Press Reprint, 1984

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Famous quotes containing the word works:

    All his works might well enough be embraced under the title of one of them, a good specimen brick, “On Heroes, Hero-Worship, and the Heroic in History.” Of this department he is the Chief Professor in the World’s University, and even leaves Plutarch behind.
    Henry David Thoreau (1817–1862)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)

    Most works of art, like most wines, ought to be consumed in the district of their fabrication.
    Rebecca West (1892–1983)