The Golden Madonna of Essen is a sculpture of the Virgin Mary and the infant Jesus. It is a wooden core covered with sheets of thin gold leaf. The piece is part of the treasury of Essen Cathedral, formerly the church of Essen Abbey, in North Rhine-Westphalia, Germany, and is kept on display at the cathedral.
Dated around the year 980, it is both the oldest known sculpture of the Madonna and the oldest free-standing medieval sculpture north of the Alps, and is also one of the few major works of art to survive from Ottonian times. To this day it remains an object of veneration and symbol of identity for the population of the Ruhr Area. It is the only full-length survival from what appears to have been a common form of statue among the wealthiest churches and abbeys of 10th and 11th century Northern Europe; some of these were life-size, especially figures of the Crucifixion.
Read more about Golden Madonna Of Essen: Date of Origin, Description, Liturgical Significance, Past and Present
Famous quotes containing the words golden and/or madonna:
“She came out on the stage in yards of pearls, emerging like
a favorite scenic view, flashed her golden smile and sang.”
—Robert Earl Hayden (1913–1980)
“In our minds lives the madonna image—the all-embracing, all- giving tranquil mother of a Raphael painting, one child at her breast, another at her feet; a woman fulfilled, one who asks nothing more than to nurture and nourish. This creature of fantasy, this myth, is the model—the unattainable ideal against which women measure, not only their performance, but their feelings about being mothers.”
—Lillian Breslow Rubin (20th century)