Golden Axe: The Revenge of Death Adder is a side-scrolling arcade Beat'em up game released in 1992 by Sega. It was the first 32-bit game in the series. It still remains an arcade exclusive as of 2012.
The player characters are Goah the giant, Stern the barbarian, Dora the Kentauride, and Little Trix, a young elf lad who carries a pitchfork. None of the characters from the first game are playable, although Gilius Thunderhead from the first game rides on Goah's back. The main enemy is once again Death Adder.
Multiple players could cooperate to complete wrestling moves on one enemy. Depending on the cabinet, the game allowed up to two, three or four simultaneous players.
The game is an overall improvement on the original with better sound, graphics, and gameplay. As well as introducing multiple paths to the franchise, the magic aspect was adjusted. Though still found in the classic Golden Axe pots, the magic spells did not increase in power with the number of pots collected but required a set number to work. The Revenge of Death Adder was the only Golden Axe game in which one of the magic attacks was not offensive, as Trix grew apple trees with fruit that replenished health.
The players are allowed to choose different pathways at two two-ways crossroads. Depending on the version, the unchosen paths are skipped entirely or have to be passed later in the game.
Famous quotes containing the words golden, revenge and/or death:
“I have not read of any Arcadian life which surpasses the actual luxury and serenity of these New England dwellings. For the outward gilding, at least, the age is golden enough.”
—Henry David Thoreau (1817–1862)
“Interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world—in order to set up a shadow world of “meanings.””
—Susan Sontag (b. 1933)
“I mourn the safe and motherly old middle-class queen, who held the nation warm under the fold of her big, hideous Scotch-plaid shawl and whose duration had been so extraordinarily convenient and beneficent. I felt her death much more than I should have expected; she was a sustaining symbol—and the wild waters are upon us now.”
—Henry James (1843–1916)