Golden Axe: The Revenge of Death Adder is a side-scrolling arcade Beat'em up game released in 1992 by Sega. It was the first 32-bit game in the series. It still remains an arcade exclusive as of 2012.
The player characters are Goah the giant, Stern the barbarian, Dora the Kentauride, and Little Trix, a young elf lad who carries a pitchfork. None of the characters from the first game are playable, although Gilius Thunderhead from the first game rides on Goah's back. The main enemy is once again Death Adder.
Multiple players could cooperate to complete wrestling moves on one enemy. Depending on the cabinet, the game allowed up to two, three or four simultaneous players.
The game is an overall improvement on the original with better sound, graphics, and gameplay. As well as introducing multiple paths to the franchise, the magic aspect was adjusted. Though still found in the classic Golden Axe pots, the magic spells did not increase in power with the number of pots collected but required a set number to work. The Revenge of Death Adder was the only Golden Axe game in which one of the magic attacks was not offensive, as Trix grew apple trees with fruit that replenished health.
The players are allowed to choose different pathways at two two-ways crossroads. Depending on the version, the unchosen paths are skipped entirely or have to be passed later in the game.
Famous quotes containing the words golden, revenge and/or death:
“Two thousand summers have imparted to the monuments of Grecian literature, as to her marbles, only a maturer golden and autumnal tint, for they have carried their own serene and celestial atmosphere into all lands to protect them against the corrosion of time.”
—Henry David Thoreau (1817–1862)
“Obscurantism is the academic theorist’s revenge on society for having consigned him or her to relative obscurity—a way of proclaiming one’s superiority in the face of one’s diminished influence.”
—David Lehman (b. 1948)
“As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relations with this best and truest friend of mankind, that his image is not only no longer terrifying to me, but is indeed very soothing and consoling! And I thank my God for graciously granting me the opportunity ... of learning that death is the key which unlocks the door to our true happiness.”
—Wolfgang Amadeus Mozart (1756–1791)