Golden Age of Television - Radio

Radio

Many programs of this era evolved from successful radio shows that brought polished concepts, casts and writing staffs to TV. This is one reason why quality was so consistently high during this period. Even an original show like I Love Lucy drew heavily from radio, since many of those scripts were rewrites from Lucille Ball's late-1940s radio show My Favorite Husband. Shows like Our Miss Brooks, The Burns and Allen Show and The Jack Benny Program ran concurrently on both radio and TV until television reception reached beyond the major metropolitan areas in the mid-1950s. By the early 1960s, about 90% of American households had a television set. At that point sitcoms and dramas dropped out of radio and became wholly the domain of television, as did Westerns like The Lone Ranger and Gunsmoke. At the same time, shows such as Playhouse 90 ended their run.

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Famous quotes containing the word radio:

    “Now they can do the radio in so many languages that nobody any longer dreams of a single language, and there should not any longer be dreams of conquest because the globe is all one, anybody can hear everything and everybody can hear the same thing, so what is the use of conquering.”
    —Gertrude Stein (1874–1946)

    “Local television shows do not, in general, supply make-up artists. The exception to this is Los Angeles, an unusually generous city in this regard, since they also provide this service for radio appearances.”
    —Fran Lebowitz (b. 1950)

    “The radio ... goes on early in the morning and is listened to at all hours of the day, until nine, ten and often eleven o’clock in the evening. This is certainly a sign that the grown-ups have infinite patience, but it also means that the power of absorption of their brains is pretty limited, with exceptions, of course—I don’t want to hurt anyone’s feelings. One or two news bulletins would be ample per day! But the old geese, well—I’ve said my piece!”
    —Anne Frank (1929–1945)