"Slam Bang Western Style Wrestling"
In the early 1920s, Sandow was looking for a grappler to serve as Lewis' sparring partner and fill-in opponent; and with Burns' recommendation, Mondt was hired as the group's "enforcer," disciplining Lewis' opponents as to the bout's rules while helping to prevent the champ from any injury as a result of foul tactics. At the time, pro wrestling consisted primarily of mat grappling; and while the sport had flourished a decade earlier under Frank Gotch, the fans had since grown tired of the painfully deliberate pace of the bouts. However, Mondt discovered a solution that would completely transform the industry, as he convinced Lewis and Sandow to implement a new form of wrestling that combined features of boxing, Greco-Roman, freestyle, lumber-camp fighting, and theater into what he deemed "Slam Bang Western-Style Wrestling." This new style of action (which included radical moves like body slams, suplexes, arm drags, and the addition of fisticuffs) combined with traditional mat grappling to create what has essentially become the modern form of pro wrestling. Slam Bang Wrestling was an instant success with the fans; and although many bouts had been "fixed" in prior years, it was Mondt who perfected the art of the "finish," a pre-scripted conclusion to matches that gave fans an exciting show and inspired them to come back for more. It is said that Mondt personally invented 90% of the finishes and 60% of the finishing holds; and in the process, he also invented the concept of the "no contest," which included such innovations as time-limit draws and double count-outs. Consequently, it was this exaggerated new ring style that necessitated the industry's gradual shift away from its legitimate roots and towards a more full-time "exhibition" of holds and maneuvers to entertain the crowd.
Read more about this topic: Gold Dust Trio
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