In most discussions, the global citizens movement is a socio-political process rather than a political organization or party structure. The term is often used synonymously with the anti-globalization movement or the global justice movement. Colloquially the term is also used in this imprecise manner.
Global citizens movement has been used by activists to refer to a number of organized and overlapping citizens groups who seek to influence public policy often with the hope of establishing global solidarity on an issue. Such efforts include advocacy on ecological sustainability, corporate responsibility, social justice and similar progressive issues.
In theoretical discussions of social movements, global citizens movement refers to a complex and unprecedented phenomena made possible by the unique subjective and objective conditions of the planetary phase of civilization. The term is used to distinguish the latent potential for a profound shift in values among an aware and engaged citizenry from existing transnational citizens movements which tend to focus on specific issues (such as the anti-war movement).
Read more about Global Citizens Movement: Background, Visions of A Global Citizens Movement, Critiques of A Global Citizens Movement
Famous quotes containing the words global, citizens and/or movement:
“The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.”
—Guy Debord (b. 1931)
“... the Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.”
—Adrienne Rich (b. 1929)
“I have been photographing our toilet, that glossy enameled receptacle of extraordinary beauty.... Here was every sensuous curve of the “human figure divine” but minus the imperfections. Never did the Greeks reach a more significant consummation to their culture, and it somehow reminded me, in the glory of its chaste convulsions and in its swelling, sweeping, forward movement of finely progressing contours, of the Victory of Samothrace.”
—Edward Weston (1886–1958)