Opera
Glenn Kesby made his professional singing debut at the 25th Handel Festival in Karlsruhe, Germany, where he played Adelberto in Ottone, conducted by Charles Farncombe CBE. Since then, he has played several lead Handel opera roles including Julius Caesar and Ruggiero in Alcina for the Handel Opera Society, Rinaldo at the Bloomsbury Theatre, London, and most recently Apollo in Parnasso in Festa with Baroque Encounter at St. John's, Smith Square.
Other opera roles have included Silvio in Handel's Il Pastor Fido (Harmonie Universelle), Cupid in John Blow's Venus and Adonis, Spirit in Purcell's Dido and Aeneas (Burghley Opera), Tolomeo in Julius Caesar, Arsamenes in Xerxes, Polinesso in Ariodante, and Venus in Pepusch's Venus and Adonis for the Handel House Museum.
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Famous quotes containing the word opera:
“Are you suggesting that we reopen the Opera with a murder as an added attraction?”
—Eric Taylor, Leroux, and Arthur Lubin. Lecours (Fritz Feld)
“He rides in the Row at ten o’clock in the morning, goes to the Opera three times a week, changes his clothes at least five times a day, and dines out every night of the season. You don’t call that leading an idle life, do you?”
—Oscar Wilde (1854–1900)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)