Origins
The story of Glaucus' deification was dealt with in detail by Ovid and briefly referenced by many other authors. According to Ovid, Glaucus began his life as a mortal fisherman living in the Boeotian city of Anthedon. He discovered by accident a magical herb which could bring the fish he caught back to life, and decided to try eating it. The herb made him immortal, but also caused him to grow fins instead of arms and a fish's tail instead of legs (though some versions say he simply became a merman), forcing him to dwell forever in the sea. Glaucus was initially upset by this side-effect, but Oceanus and Tethys received him well and he was quickly accepted among the deities of the sea, learning from them the art of prophecy.
John Tzetzes adds to the above story that Glaucus became "immortal, but not immune to aging".
In an alternate, non-extant version cited in Athenaeus (with reference to Nicander's Aetolian History), Glaucus chased a hare on mount Oreia until the animal fell down almost dead, then carried his prey to a spring and rubbed it with a bunch of grass that was growing about. The herb brought the hare back to life. Glaucus then tasted it himself and fell into a state of "divine madness", in which state Zeus made him fling himself into the stormy sea.
Athenaeus also informs that in yet another version followed by Possis of Magnesia, Glaucus (rather than Argus) was the builder and the pilot of Argo. During a naval battle between the Argonauts and the Etruscans, he fell into the sea and by the will of Zeus became a sea god.
Read more about this topic: Glaucus
Famous quotes containing the word origins:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)