Yamaboko Float Details
The floats in the Yoiyama Parade are divided into two groups, Hoko and Yama, and are collectively called Yamaboko (or Yamahoko). There are 9 of the larger Hoko (long pole or halberd) which represent the 66 spears used in the original purification ritual, and 23 of the smaller Yama which carry life-size figures of famous and important people. All the floats are decorated with beautiful tapestries both from Nishijin (the finest in all of Japan) and imported from all over the world. In addition to the art, there are many traditional musicians and artists sitting in the floats. In 2009 Yamahoko was listed on the Representative List of the Intangible Cultural Heritage of Humanity.
Each year the families that maintain the floats draw lots at a special meeting to determine what order they will take in the festival. These lots are issued at a special ceremony before the parade, during which the Mayor of Kyoto dons the robes of a magister. On the Naginata Hoko is the chigo, a young boy in Shinto robes and crowned by a golden phoenix, chosen from among the Kyoto merchant families as the deity's sacred page. After weeks of special purification ceremonies, during which he lives isolated from contaminating influences such as the presence of women, he is carried atop the float as he is not permitted to touch the ground. The boy must cut a sacred rope (shimenawa) with a single stroke to begin the matsuri.
Read more about this topic: Gion Matsuri
Famous quotes containing the words float and/or details:
“Come hither, all ye empty things,
Ye bubbles rais’d by breath of Kings;
Who float upon the tide of state,
Come hither, and behold your fate.
Let pride be taught by this rebuke,
How very mean a thing’s a Duke;
From all his ill-got honours flung,
Turn’d to that dirt from whence he sprung.”
—Jonathan Swift (1667–1745)
“There was a time when the average reader read a novel simply for the moral he could get out of it, and however naïve that may have been, it was a good deal less naïve than some of the limited objectives he has now. Today novels are considered to be entirely concerned with the social or economic or psychological forces that they will by necessity exhibit, or with those details of daily life that are for the good novelist only means to some deeper end.”
—Flannery O’Connor (1925–1964)