Theatre
- 1989 Turn left at Gilgamesh, a play by New York playwright Rory Winston.
- 2007 (September/October). Gilgamesh in Uruk: GI in Iraq, adapted by Blake Bowden. Directed by Regina Pugh, with original music composed by Grammy-nominee, Steve Goers, and original puppetry by Aretta Baumgartner. Produced by The Performance Gallery in Cincinnati, OH.
- 2007 (July). Chronicles – the custom of lamenting, based on the adaptation and completed Polish translation of Gilgamesh by Robert Stiller. Directed by Grzegorz Brai with original music based on Albanian and Greek polyphonic laments. Produced by Song of the Goat Theatre in Poland.
- 2007 (April). Gilgamesh, adapted by Yusef Komunyakaa and Chad Gracia. Original music composed and performed by Billy Atwell. This project was a part of the New York Institute for the Humanities "War Music Festival." Produced by the Classical Theatre of Harlem.
- 2007 (March/April). Gilgamesh, adapted by Stephen Sachs. Directed by Sachs and Jessica Kubzansky. Produced by The Theatre @ Boston Court in Pasadena, CA.
- 2009 (March). "Rag Fur Blood Bone: The Epic of Gilgamesh". Written by Michael Yates Crowley, Directed by Michael Rau. Produced at the Tribeca Performing Arts Center at BMCC in New York, NY.
Read more about this topic: Gilgamesh In Popular Culture
Famous quotes containing the word theatre:
“As in a theatre the eyes of men,
After a well-graced actor leaves the stage,
Are idly bent on him that enters next,
Thinking his prattle to be tedious,
Even so, or with much more contempt, men’s eyes
Did scowl on gentle Richard.”
—William Shakespeare (1564–1616)
“A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.”
—Kenneth Tynan (1927–1980)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)