Ghostface (Scream) - Cultural Impact

Cultural Impact

McFarlane Toys produced a 6-inch figurine of Ghostface in 1999 for the "Movie Maniacs II" series of horror and science fiction inspired line of character models. A series of figures were produced by NECA for Scream 4 featuring the standard mask and black cowl plus variations such as "Zombie Ghostface" with a decayed appearance on the mask and "Scarecrow Ghostface" with brown, burlap material used for the mask and clothing.

Ghostface has been parodied and referenced numerous times in media following his appearance in the Scream series of slasher films, most prominently in the parody film Scary Movie (2000) where a killer dressed as Ghostface commits a series of murders and is later revealed to be several people as in Scream. In the parody film Shriek If You Know What I Did Last Friday the Thirteenth (2000), a killer wearing a Jason Voorhees-style hockey mask is set on fire, his mask melting to resemble that of Ghostface. The film Jay and Silent Bob Strike Back (2001) features Ghostface, as Shannen Doherty and Craven provide cameos as themselves making the then non-existent Scream 4, but Doherty objects when Ghostface turns out to be played by the orangutan, Suzann.

As in film, Ghostface has been referenced repeatedly in various television programs and commercials. In the same year as the release of Scream 3, the mask made an appearance on Beverly Hills 90210 and the Nickelodeon series Cousin Skeeter. It was also used as an ornament in the bedroom of the character Dawson in Dawson's Creek, a show created by Scream writer, Williamson. The character appears in a 1999 episode of Celebrity Deathmatch entitled "The Unknown Murderer", where he threatens to kill a scream queen every round, murdering Barrymore, Jamie Lee Curtis, and Jennifer Love Hewitt before planting his cell phone on a platypus to frame him, causing Campbell and Sarah Michelle Gellar to fight it. The mask was later used in The Sopranos episode "Fortunate Son" (2001) where it is worn by the character Christopher to commit a robbery.

The costume is referenced in an episode of the television series Boomtown entitled "All Hallow's Eve" (2002) where a police officer uses the costume to frighten a bully who has been terrorizing other kids. In the Japanese anime FLCL episode "Marquis de Cabras" (2003), protagonist Naota's face changes to resemble that of Ghostface frequently during a scene where he and his family are eating spicy curry. The character makes a cameo appearance in Tripping the Rift in the episode "The Devil and a Guy Named Webster" (2004) as the judge when Chode sells his soul to the devil and finds a way to sue him. He also appears in a 2004 advert for Trivial Pursuit: '90s edition; representing iconic characters of the 1990s along side Dennis Rodman and the character Rose from the 1997 film Titanic. A parody of Ghostface appears in the television series All Grown Up! episode "Interview with a Campfire" (2004) where Lil DeVille is taunted by phone and stalked by a character wearing an Easter Bunny mask.

The character appears briefly in The Simpsons episode "Home Away from Homer" (2005) where Homer Simpson suggests him as a babysitter for his daughter Maggie Simpson. Roger L. Jackson lends his voice to Ghostface in the Robot Chicken episode "That Hurts Me" (2005) alongside other famous film killers in a show that parodies Big Brother, launching a prank war against Pinhead and Freddy Krueger before giving a speech to save himself from elimination from the show. He is referenced by Kenny Powers, the main character of Eastbound & Down who requests to wear the mask while having sex. In Scream XXX: A Porn Parody, a new Ghostface (wearing a clown variant of the Father Death mask) begins murdering the cast and crew of an in-production pornographic parody of the Stab series.

In his book Going to Pieces: The Rise and Fall of the Slasher Film, Adam Rockoff opined that Ghostface's mask was a "striking, surreal and downright terrifying presence". Calling the mask a "hyperbolic rendering" of Edvard Munch's The Scream, Rockoff wrote that the face is "twisted in an exaggerated, almost mocking grin, as if reflecting the look of terror and surprise on his victims' faces." Tony Magistrale also discussed the similarities between Ghostface's mask and The Scream in his book Abject Terrors: Surveying the Modern and Postmodern Horror Film, stating that the painting, "an apt representation of the degree of alienation from other people, inspires the killers' murderous agenda".

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