Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Minor 7th | (not rated) |
| No Depression | (no rating) |
Ghost Repeater received high praise from critics, with The Chicago Sun-Times hailing it as "One of the best albums of the year." Writing for Minor 7th, music critic David Kleiner wrote of the album "Ghosts haunt the landscape of Jeffrey Foucault’s latest release. He’ll wrap his lusciously deep voice around every achingly beautiful melody ("One Part Love," for one), play good six string, and even write songs that ought to be hits on country radio ("Mesa, Arizona"). And he’ll make the best damn album I’ve heard this year, "Ghost Repeater." Writing for No Depression, music critic Eric R. Danton wrote of the album "... his spare, rootsy tunes are deceptively complex. He’s a skilled observer, shifting easily between general observations about life and startling first-person details, relating both in a tousled voice that resonates with a certain lived-in wisdom... The title track is the real stunner here, though... the homage ties together the threads of blues, folk and country that run through the album."
Read more about this topic: Ghost Repeater
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)