Geta (footwear) - Styles

Styles

There are several different styles of geta. The most familiar style in the West consists of an unfinished wooden board called a dai (台, stand) that the foot is set upon, with a cloth thong (鼻緒, hanao) that passes between the big toe and second toe. As geta are usually worn only with yukata or other informal Japanese clothes or Western clothes, there is no need to wear socks. Ordinary people wear at least slightly more formal zōri when wearing special toe socks called tabi. Apprentice geisha, also called "maiko", wear their special geta (see below) with tabi to accommodate the hanao.

The two supporting pieces below the base board, called teeth (歯 ha), are also made of wood, usually very light-weight kiri (桐, paulownia) and make a distinctive "clacking" sound while walking: カランコロン or karankoron. This is sometimes mentioned as one of the sounds that older Japanese miss most in modern life. A traditional saying in Japanese translates as "You don't know until you have worn geta." This means roughly, "you can't tell the results until the game is over." Long before the 1970s and before platform shoes, Japanese women wore Geta sandals or clogs. The reason for wearing these very high platform shoes were not for fashion, but for very practical reasons. If you are wearing a very expensive kimono that hangs all the way to your feet, you do not want to get mud on it when you walk outside. Geta are made of one piece of solid wood forming the sole and two wooden blocks underneath. These blocks may have a metal plate on the section that touches the ground in order to lengthen the life span of the Geta. A V-shaped thong of cloth forms the upper part of the sandal.

Read more about this topic:  Geta (footwear)

Famous quotes containing the word styles:

    There are only two styles of portrait painting; the serious and the smirk.
    Charles Dickens (1812–1870)

    The gothic is singular in this; one seems easily at home in the renaissance; one is not too strange in the Byzantine; as for the Roman, it is ourselves; and we could walk blindfolded through every chink and cranny of the Greek mind; all these styles seem modern when we come close to them; but the gothic gets away.
    Henry Brooks Adams (1838–1918)

    ... it is use, and use alone, which leads one of us, tolerably trained to recognize any criterion of grace or any sense of the fitness of things, to tolerate ... the styles of dress to which we are more or less conforming every day of our lives. Fifty years hence they will seem to us as uncultivated as the nose-rings of the Hottentot seem today.
    Elizabeth Stuart Phelps (1844–1911)