Style and Satire
The success of De Familie Doorzon is largely due to the perfect satire on Dutch society and family life, with every majority and minority represented and no one spared. From the transvestite barkeeper (Rinus) to the dopepeddling Ronnie D. and his voluptuous sister and her black husband every nook and cranny of the Dutch welfare state (as personified by Emiel) and its workforce (the Biereco's) is mercilessly ridiculed.
Gerrit de Jager has a quite distinct style, characterized by a love for ridiculous situations, which frequently result in disaster. A good example of this is the inevitable falling over of buildings if the Biereco's (see illustration) had anything to do with it.
Although he's milder in his other comics, the common denominator is a good sense for the inevitable madness of social conventions.
Read more about this topic: Gerrit De Jager
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