The German Reed Theatrical Revolution
This form of entertainment consisted of musical plays "of a refined nature". During the early Victorian era, visiting the theatre was considered distasteful to the respectable public. Shakespeare was played, but the London stage became dominated by risque burlesques and bad adaptations of French operettas. Jessie Bond wrote,
- "The stage was at a low ebb, Elizabethan glories and Georgian artificialities had alike faded into the past, stilted tragedy and vulgar farce were all the would-be playgoer had to choose from, and the theatre had become a place of evil repute to the righteous British householder.... A first effort to bridge the gap was made by the German Reed Entertainers....
The German Reed Entertainments became the first respectable venue for dramatic amusement to which the public could safely bring their children, presenting gentle, intelligent, comic musical entertainment. Their example showed that respectable theatre could be popular and encouraging successors such as Gilbert and Sullivan.
Read more about this topic: German Reed Entertainment
Famous quotes containing the words the german, german, reed, theatrical and/or revolution:
“The Germans are always too late. They are late, like music, which is always the last of the arts to express a world condition,when that world condition is already in its final stages. They are abstract and mystical.”
—Thomas Mann (18751955)
“Frankly, I do not like the idea of conversations to define the term unconditional surrender. ... The German people can have dinned into their ears what I said in my Christmas Eve speechin effect, that we have no thought of destroying the German people and that we want them to live through the generations like other European peoples on condition, of course, that they get rid of their present philosophy of conquest.”
—Franklin D. Roosevelt (18821945)
“They never open their mouths without subtracting from the sum of human knowledge.”
—Thomas Brackett Reed (18391902)
“A Man who always acts in the Severity of Wisdom, or the Haughtiness of Quality, seems to move in a personated Part: It looks too Constrained and Theatrical for a Man to be always in that Character which distinguishes him from others.”
—Richard Steele (16721729)
“The Husband of To-Day ever considers his wife but as a portion of his my-ship.
Nominative I.
Possessive My, or Mine.
Objective Me.
This is the grammar known to the Husband of To-Day.”
—Anonymous, U.S. womens magazine contributor. The Revolution (June 24, 1869)