The 17th century organ composers of Germany can be divided into two primary schools: the north German school and the south German school (sometimes a third school, central German, is added). The stylistic differences were dictated not only by teacher-pupil traditions, but also by technical aspects such as the quality and the tradition of organ building, and by certain composers who would help spread national styles by travelling and learning from other countries' styles.
Famous quotes containing the words german, organ and/or schools:
“Better extirpate the whole breed, root and branch. And this, unless the German people come to their senses, is what we propose to do.”
—Gertrude Atherton (18571948)
“And this mighty master of the organ of language, who knew its every stop and pipe, who could awaken at will the thin silver tones of its slenderest reeds or the solemn cadence of its deepest thunder, who could make it sing like a flute or roar like a cataract, he was born into a country without literature.”
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“In America the taint of sectarianism lies broad upon the land. Not content with acknowledging the supremacy as the Diety, and with erecting temples in his honor, where all can bow down with reverence, the pride and vanity of human reason enter into and pollute our worship, and the houses that should be of God and for God, alone, where he is to be honored with submissive faith, are too often merely schools of metaphysical and useless distinctions. The nation is sectarian, rather than Christian.”
—James Fenimore Cooper (17891851)