Life and Work
Gerald Kelly was born in London, educated at Eton College and Trinity Hall, Cambridge, and later lived and studied art in Paris. James McNeill Whistler was an early influence. Kelly travelled much, visiting Spain, America, South Africa and Burma.
In 1920 he married Lilian Ryan, who became his model for a celebrated series of portraits. These were exhibited under the title Jane, followed by a roman numeral that corresponded to the year of exhibition. Other sitters included T. S. Eliot, Ralph Vaughan Williams, and Somerset Maugham, whom he painted eighteeen times.
Maugham, a lifelong friend of Kelly, wrote an introduction to a catalogue (1950) of an exhibition of Kelly's work. Maugham regularly portrayed Kelly in his works, as Lionel Hillier in Cakes and Ale, as Frederick Lawson in Of Human Bondage and as O'Malley in His Excellency presenting him as "the young Irish painter called O'Malley", and dedicating Ashenden to him.
He became a favourite painter of the Royal Family. He was elected to the Royal Academy in 1930, was the Academy's keeper 1943-45 and President, 1949-54. Kelly held a number of official positions, such as his membership of the Royal Fine Arts Commission, 1938–43, and was knighted in 1945. The artist John Napper worked as his assistant.
Kelly died in Exmouth in 1972. He is represented in many public collections, including the Tate Gallery, which holds seven works.
His father was the Rev. Frederic Festus Kelly. His grandfather, also named Frederic Festus Kelly, was the founder of Kelly's Directories Ltd.. His sister, Rose Edith Kelly, was briefly married to Aleister Crowley.
Read more about this topic: Gerald Kelly
Famous quotes containing the words life and/or work:
“One’s prime is elusive. You little girls, when you grow up, must be on the alert to recognize your prime at whatever time of your life it may occur. You must then live it to the full.”
—Muriel Spark (b. 1918)
“Mildred Pierce: You look down on me because I work for a living, don’t you? You always have. All right, I work. I cook food and sell it and make a profit on it, which, I might point out, you’re not too proud to share with me.
Monte Beragon: Yes, I take money from you, Mildred. But not enough to make me like kitchens or cooks. They smell of grease.
Mildred Pierce: I don’t notice you shrinking away from a fifty- dollar bill because it smells of grease.”
—Ranald MacDougall (1915–1973)