Dancer
As a young man he showed aptitude in dancing which, with his elegant fashion sense, enabled him to gain employment as a dancer in New York City nightclubs, often in the same venues as Rudolph Valentino before Valentino became a movie actor. Raft became part of the stage act of flamboyant speakeasy hostess Texas Guinan and his success led him to Broadway where he again worked as a dancer. Raft later made a semi-autobiographical film called Broadway (1942) about this period in which he plays himself. He also worked in London as a chorus boy in the early 1920s. Fred Astaire, in his autobiography Steps in Time (1959), says Raft was a lightning-fast dancer and did "the fastest Charleston I ever saw."
Vi Kearney, later a dancer in shows for Charles Cochran and Andre Charlot, was quoted as saying:
Oh yes, I knew him (George Raft). We were in a big show together. Sometimes, to eke out our miserable pay, we'd do a dance act after the show at a club and we'd have to walk back home because all the buses had stopped for the night by that time. He'd tell me how he was going to be a big star one day and once he said that when he'd made it how he'd make sure to arrange a Hollywood contract for me. I just laughed and said: 'Come on, Georgie, stop dreaming. We're both in the chorus and you know it.' Yes. But by that time I'd decided to marry... How many times do I have to tell you ...chorus girls don't go out with chorus boys.Read more about this topic: George Raft
Famous quotes containing the word dancer:
“The actions of each dancer were scrutinized with great care and any little mistake noted and remembered. The strain upon a dancer was consequently so great that when a fine dancer died soon after a feast it was said, The peoples looks have killed him.”
—Merle Colby, U.S. public relief program (1935-1943)
“Come, walk like this, the dancer said,
Stick you your toesstick in your head,
Stalk on with quick, galvanic tread
Your fingers thus extend;
The attitudes considered quaint,”
—Sir William Schwenck Gilbert (18361911)
“She could give herself up to the written word as naturally as a good dancer to music or a fine swimmer to water. The only difficulty was that after finishing the last sentence she was left with a feeling at once hollow and uncomfortably full. Exactly like indigestion.”
—Jean Rhys (18941979)