George Fenton - Selected Film and Television Credits

Selected Film and Television Credits

Fenton has composed the score for over seventy feature films. This is a small selection of his film and television credits.

  • You've Got Mail
  • Hitch
  • Memphis Belle
  • 84 Charing Cross Road
  • Entropy
  • Gandhi
  • The Wind That Shakes the Barley
  • The History Boys
  • Dangerous Liaisons
  • The Fisher King
  • The Madness of King George
  • Shadowlands
  • Groundhog Day
  • Cry Freedom
  • Mrs Henderson Presents
  • Land and Freedom
  • A Handful of Dust
  • We're No Angels
  • Clockwise
  • The Crucible
  • Bewitched
  • Bergerac
  • Talking Heads
  • The Jewel in the Crown
  • The Blue Planet
  • Planet Earth
  • Dangerous Beauty
  • Ever After: A Cinderella Story
  • It's a Free World...
  • Love and Death In Shanghai (TV movie)
  • Fool's Gold
  • Looking for Eric
  • Life (BBC TV series)
  • The Bounty Hunter (2010)
  • A Handful of Dust (1988)
  • Frozen Planet

For a comprehensive filmography see the George Fenton's Internet Movie Database (IMDb) entry link in External links.

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Famous quotes containing the words selected, film and/or television:

    “The final flat of the hoe’s approval stamp
    Is reserved for the bed of a few selected seed.”
    —Robert Frost (1874–1963)

    “The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
    —Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    “In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
    —New Yorker (April 23, 1990)