History
The estate of George Eastman, including his house, was bequeathed upon his death to the University of Rochester. University presidents (first Benjamin Rush Rhees, then Alan Valentine) occupied the house for ten years. After World War II, the university transferred the property to a board of trustees.
The George Eastman House Museum of Photography was chartered in 1947. Today, the museum's full name is the George Eastman House International Museum of Photography and Film. From the outset, the museum's mission has been to collect, preserve, and present the history of photography and film. The museum opened its doors on November 9, 1949, displaying its core collections in the former public rooms of Eastman's house. The museum's original collections — including the Medicus collection of Civil War photographs by Alexander Gardner, Eastman Kodak Company's historical collection, and the massive Gabriel Cromer collection from France — attracted significant additions over the next 40 years. Entire archives, corporate collections, and artists' lifetime portfolios have been donated to the Eastman House, as well as an assemblage of rare motion pictures and ephemera.
By 1984, the museum's holdings were considered by many to be among the world's finest. However, with the collections growing at a rapid pace, the museum increasingly suffered from its own success. With an increasing number of materials to store, protect, and study, additional space became critical. DeWolff Partnership Architects was selected from an international design competition. The challenging program required a museum, research and archival space of 68,000 square feet. The resulting design was a contemporary use of existing historical forms found in the Mansion and Carriage House. Roman brick, granite and cast stone reflect the spirit of the mansion. The historic gardens of the George Eastman Mansion were removed to facilitate the construction of the 22,000 square foot below-grade photographic facility. The gardens were then recreated above.
The new facility opened to the;) public in January 1989.
In 1996, the museum opened the Louis B. Mayer Conservation Center in nearby Chili, New York. One of only four film conservation centers in the United States (as of March 2006), the facility houses the museum's rare 35 mm prints made on cellulose nitrate. That same year, the Eastman House launched the first school of film preservation in the United States to teach restoration, preservation, and archiving of motion pictures. The L. Jeffrey Selznick School of Film Preservation is supported by a grant from The Louis B. Mayer Foundation.
In 1999, George Eastman House launched the Mellon Advanced Residency Program in Photograph Conservation, made possible with grant support from the Andrew W. Mellon Foundation. The program trains top photograph archivists and conservators from around the world.
George Eastman House arranged groundbreaking exhibitions such as New Topographics.
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