George Duning - Film Career

Film Career

Morris Stoloff signed Duning to Columbia Pictures in 1946, where he worked almost exclusively through the early 1960s, collaborating most often with director Richard Quine.

Prominent Duning scores are two of the best examples of western genre - the original 3:10 to Yuma, and Cowboy - and those he composed for films as diverse as My Sister Eileen, Picnic, The World of Suzie Wong, Me and the Colonel, The Devil at Four O'Clock, Bell, Book, and Candle, Any Wednesday, and Toys in the Attic.

Duning shared music adaptation credit with Nelson Riddle for the highly successful 1957 film adaptation of the Rodgers and Hart gem Pal Joey starring Frank Sinatra and Rita Hayworth.

During his career, Duning worked on more than 300 film and television scores. His notable television series include Tightrope, Star Trek, The Big Valley and Naked City.

The quality of his work remained consistently and remarkably high in any medium. His last feature film was The Man with Bogart's Face in 1980, and he retired in 1981. Nominated five times for an Academy Award, Duning never won.

Duning was an active citizen of the music industry, serving on the ASCAP Board of Directors from 1972 to 1985, and as ASCAP Vice President from 1978 to 1979. He also served on the Board of the Academy of Motion Picture Arts and Sciences and was active in numerous other music industry organizations. In addition to his Academy Award nominations, Duning was also honored with awards from the Society for the Preservation of Film Music, Downbeat Magazine, the Hollywood Foreign Press Association and his home state of Indiana (1993 Indiana Composer of the Year).

Read more about this topic:  George Duning

Famous quotes containing the words film and/or career:

    If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.
    Salman Rushdie (b. 1948)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)