Emphasis On Formal Features in Speech Genres
The first group of rhetorical critics, following the example of theorists like M. M. Bakhtin, used formal features to analyze texts. For these critics, language is formed through a series of utterances that reflect specific conditions and goals of certain linguistic aspects. These aspects include thematic content, style, and compositional structure which form speech genres. Speech genres are diverse because of the various possibilities of human activity. In "The Problem of Speech Genres" (1986), Mikhail Bakhtin draws attention to the very significant difference between primary (simple) and secondary (complex) speech genres. According to Bahktin, primary speech genres form secondary speech genres and examples of secondary speech genres include novels, dramas, all kinds of scientific research, and major genres of commentary. Since these secondary genres involve complex and comparatively highly developed and organized cultural communication that is artistic and scientific, they absorb and digest various primary genres that have taken form in mediated speech communion. Bakhtin continues to explain that there are three factors of the whole utterance which include semantic exhaustiveness of the theme, the speaker’s plan or speech will, and the typical compositional and generic forms of finalization. The first factor refers to the way utterances are used within speech which is linked to the second factor of how the speaker determines to use the utterance.The third factor explains that all our utterances have definite and stable typical forms of construction, but that these forms can change when needed. As Bahktin writes, "These genres are so diverse because they differ depending on the situation, social position, and personal interrelations of the participants in the communication".
Read more about this topic: Genre Criticism
Famous quotes containing the words emphasis on, emphasis, formal, features and/or speech:
“Coming to terms with the rhythms of womens lives means coming to terms with life itself, accepting the imperatives of the body rather than the imperatives of an artificial, man-made, perhaps transcendentally beautiful civilization. Emphasis on the male work-rhythm is an emphasis on infinite possibilities; emphasis on the female rhythms is an emphasis on a defined pattern, on limitation.”
—Margaret Mead (19011978)
“No author has created with less emphasis such pathetic characters as Chekhov has....”
—Vladimir Nabokov (18991977)
“This is no argument against teaching manners to the young. On the contrary, it is a fine old tradition that ought to be resurrected from its current mothballs and put to work...In fact, children are much more comfortable when they know the guide rules for handling the social amenities. Its no more fun for a child to be introduced to a strange adult and have no idea what to say or do than it is for a grownup to go to a formal dinner and have no idea what fork to use.”
—Leontine Young (20th century)
“It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the windowpane.”
—Robert Frost (18741963)
“True and false are attributes of speech not of things. And where speech is not, there is neither truth nor falsehood. Error there may be, as when we expect that which shall not be; or suspect what has not been: but in neither case can a man be charged with untruth.”
—Thomas Hobbes (15881679)