The General Art and Industrial Exposition of Stockholm of 1897 (Swedish: Allmänna konst- och industriutställningen) also known as Stockholm Exhibition or Stockholm World's Fair (Stockholmsutställningen) was a World's Fair staged in 1897 in Stockholm, Sweden.
The exhibition site was located on the island of Djurgården, and many of the structures on the western part of the island originated as part of the exhibition. These include Djurgårdsbron, the main bridge to the island, the Skansens Bergbana, the funicular railway now in the Skansen open air museum and zoo, and the Nordic Museum. One of the most prominent buildings of the exposition, a 16,820 m² exposition hall in wood, designed by the architect Ferdinand Boberg and featuring a 100 metres tall cupola and 4 minarets, was demolished after the exposition however, together with many other pavilions built in non-permanent materials.
One theme of the exposition was the new media technologies of the day, including film and the phonograph. The opening ceremonies of the exposition were documented in early recordings, including the opening address by King Oscar II. These recordings have been preserved, and are now available on the internet.
Famous quotes containing the words general, art, industrial, exposition and/or stockholm:
“There is in general good reason to suppose that in several respects the gods could all benefit from instruction by us human beings. We humans are—more humane.”
—Friedrich Nietzsche (1844–1900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The basis on which good repute in any highly organized industrial community ultimately rests is pecuniary strength; and the means of showing pecuniary strength, and so of gaining or retaining a good name, are leisure and a conspicuous consumption of goods.”
—Thorstein Veblen (1857–1929)
“Men are like plants; the goodness and flavor of the fruit proceeds from the peculiar soil and exposition in which they grow. We are nothing but what we derive from the air we breathe, the climate we inhabit, the government we obey, the system of religion we profess, and the nature of our employment.”
—Michel Guillaume Jean De Crevecoeur (1735–1813)
“He was begotten in the galley and born under a gun. Every hair was a rope yarn, every finger a fish-hook, every tooth a marline-spike, and his blood right good Stockholm tar.”
—Naval epitaph.