General Art and Industrial Exposition of Stockholm (1897)

The General Art and Industrial Exposition of Stockholm of 1897 (Swedish: Allmänna konst- och industriutställningen) also known as Stockholm Exhibition or Stockholm World's Fair (Stockholmsutställningen) was a World's Fair staged in 1897 in Stockholm, Sweden.

The exhibition site was located on the island of Djurgården, and many of the structures on the western part of the island originated as part of the exhibition. These include Djurgårdsbron, the main bridge to the island, the Skansens Bergbana, the funicular railway now in the Skansen open air museum and zoo, and the Nordic Museum. One of the most prominent buildings of the exposition, a 16,820 m² exposition hall in wood, designed by the architect Ferdinand Boberg and featuring a 100 metres tall cupola and 4 minarets, was demolished after the exposition however, together with many other pavilions built in non-permanent materials.

One theme of the exposition was the new media technologies of the day, including film and the phonograph. The opening ceremonies of the exposition were documented in early recordings, including the opening address by King Oscar II. These recordings have been preserved, and are now available on the internet.

Famous quotes containing the words general, art, industrial, exposition and/or stockholm:

    Every gazette brings accounts of the untutored freaks of the wind,—shipwrecks and hurricanes which the mariner and planter accept as special or general providences; but they touch our consciences, they remind us of our sins. Another deluge would disgrace mankind.
    Henry David Thoreau (1817–1862)

    Our art is the finest, the noblest, the most suggestive, for it is the synthesis of all the arts. Sculpture, painting, literature, elocution, architecture, and music are its natural tools. But while it needs all of those artistic manifestations in order to be its whole self, it asks of its priest or priestess one indispensable virtue: “faith.”
    Sarah Bernhardt (1845–1923)

    The basis on which good repute in any highly organized industrial community ultimately rests is pecuniary strength; and the means of showing pecuniary strength, and so of gaining or retaining a good name, are leisure and a conspicuous consumption of goods.
    Thorstein Veblen (1857–1929)

    Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.
    Julia Marlowe (1866–1950)

    He was begotten in the galley and born under a gun. Every hair was a rope yarn, every finger a fish-hook, every tooth a marline-spike, and his blood right good Stockholm tar.
    Naval epitaph.