Gene Bertoncini - Reception

Reception

Review of Acoustic Romance and The Good Stuff: A Tribute to Charlie Byrd:
"While electric instruments dominate the jazz guitar world, a minority of players choose to use the acoustic nylon-string, not only for its sonic properties but also because it more agreeably supports fingerstyle technique, which opens up a whole spectrum of musical possibilities not otherwise obtainable. One of the finest players among this discerning breed is Gene Bertoncini, whose command of harmony and texture can transform even the most mundane tune into an intriguing, multidimensional masterpiece, something he does with certainty on both Acoustic Romance and The Good Stuff, varying projects that showcase the scope of his considerable abilities." (Jim Ferguson, JazzTimes)

Review of Body and Soul:
"Gene Bertoncini--who plays the nylon-string acoustic guitar with his fingers, a situation ideally suited for solo work--creates sounds that are refined, elegant, and complex. His playing works a tune from the inside, fully exploring its harmonic, melodic, and textural implications much like a classical composer develops an idea on paper." (Jim Ferguson, JazzTimes)

Review of Just the Two of Us:
"This album, recorded live in 1998, pairs not only two masters of the guitar, but also two distinctly different instruments and approaches. Bertoncini employs a nylon-string with fingerstyle technique akin to that of a classical player, while Wilkins uses a traditional archtop electric and essentially is a pick specialist. The net outcome is intricate, spontaneous music that is frequently brilliant in both conception and execution." (Jim Ferguson, JazzTimes)

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    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
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