Gene Bertoncini - Reception

Reception

Review of Acoustic Romance and The Good Stuff: A Tribute to Charlie Byrd:
"While electric instruments dominate the jazz guitar world, a minority of players choose to use the acoustic nylon-string, not only for its sonic properties but also because it more agreeably supports fingerstyle technique, which opens up a whole spectrum of musical possibilities not otherwise obtainable. One of the finest players among this discerning breed is Gene Bertoncini, whose command of harmony and texture can transform even the most mundane tune into an intriguing, multidimensional masterpiece, something he does with certainty on both Acoustic Romance and The Good Stuff, varying projects that showcase the scope of his considerable abilities." (Jim Ferguson, JazzTimes)

Review of Body and Soul:
"Gene Bertoncini--who plays the nylon-string acoustic guitar with his fingers, a situation ideally suited for solo work--creates sounds that are refined, elegant, and complex. His playing works a tune from the inside, fully exploring its harmonic, melodic, and textural implications much like a classical composer develops an idea on paper." (Jim Ferguson, JazzTimes)

Review of Just the Two of Us:
"This album, recorded live in 1998, pairs not only two masters of the guitar, but also two distinctly different instruments and approaches. Bertoncini employs a nylon-string with fingerstyle technique akin to that of a classical player, while Wilkins uses a traditional archtop electric and essentially is a pick specialist. The net outcome is intricate, spontaneous music that is frequently brilliant in both conception and execution." (Jim Ferguson, JazzTimes)

Read more about this topic:  Gene Bertoncini

Famous quotes containing the word reception:

    “But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
    —Walter Pater (1839–1894)

    “Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
    —Jonathan Swift (1667–1745)

    “Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
    —Rémy De Gourmont (1858–1915)