Work
Soto's poetry focuses on daily experiences, often reflecting on his life as a Chicano. Regarding his relationship with the Mexican-American community, Soto commented "as a writer, my duty is not to make people perfect, particularly Mexican Americans. I’m not a cheerleader. I’m one who provides portraits of people in the rush of life."
Soto writes novels, plays and memoirs, and has edited several literary anthologies. His story "The No-Guitar Blues" was made into a film, and he produced another film based on his book "The Pool Party." He is a prolific writer of children's books.
About his work Joyce Carol Oates noted "Gary Soto's poems are fast, funny, heartening, and achingly believable, like Polaroid love letters, or snatches of music heard out of a passing car; patches of beauty like patches of sunlight; the very pulse of a life."
Read more about this topic: Gary Soto
Famous quotes containing the word work:
“A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room.”
—Annie Dillard (b. 1945)
“It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.”
—Elizabeth Barrett Browning (1806–1861)
“Writing a book I have found to be like building a house. A man forms a plan, and collects materials. He thinks he has enough to raise a large and stately edifice; but after he has arranged, compacted and polished, his work turns out to be a very small performance. The authour however like the builder, knows how much labour his work has cost him; and therefore estimates it at a higher rate than other people think it deserves,”
—James Boswell (1740–1795)