Gary Soto - Work

Work

Soto's poetry focuses on daily experiences, often reflecting on his life as a Chicano. Regarding his relationship with the Mexican-American community, Soto commented "as a writer, my duty is not to make people perfect, particularly Mexican Americans. I’m not a cheerleader. I’m one who provides portraits of people in the rush of life."

Soto writes novels, plays and memoirs, and has edited several literary anthologies. His story "The No-Guitar Blues" was made into a film, and he produced another film based on his book "The Pool Party." He is a prolific writer of children's books.

About his work Joyce Carol Oates noted "Gary Soto's poems are fast, funny, heartening, and achingly believable, like Polaroid love letters, or snatches of music heard out of a passing car; patches of beauty like patches of sunlight; the very pulse of a life."

Read more about this topic:  Gary Soto

Famous quotes containing the word work:

    “... married women work and neglect their children because the duties of the homemaker become so depreciated that women feel compelled to take a job in order to hold the respect of the community. It is one thing if women work, as many of them must, to help support the family. It is quite another thing—it is destructive of woman’s freedom—if society forces her out of the home and into the labor market in order that she may respect herself and gain the respect of others.”
    —Agnes E. Meyer (1887–1970)

    “I see no reason for calling my work poetry except that there is no other category in which to put it.”
    —Marianne Moore (1887–1972)

    “It is ultimately in employers’ best interests to have their employees’ families functioning smoothly. In the long run, children who misbehave because they are inadequately supervised or marital partners who disapprove of their spouse’s work situation are productivity problems. Just as work affects parents and children, parents and children affect the workplace by influencing the employed parents’ morale, absenteeism, and productivity.”
    —Ann C. Crouter (20th century)