Career
His first role was as Patroclus in Troy. The film, which starred Brad Pitt, was released May 14, 2004. He also starred as Don Billingsley in the 2004 drama film Friday Night Lights in which Tim McGraw played his abusive father.
He starred as Jack Mercer alongside Mark Wahlberg in the action/crime film Four Brothers. He next appeared in the film Eragon in a supporting role as Murtagh. In 2007, he starred in the Garry Marshall-directed comedy-drama Georgia Rule, alongside Lindsay Lohan and Jane Fonda. The film, which was released May 11, 2007, was negatively received by critics and failed to surpass box office expectations, only making a lifetime gross of $41 million. He also starred in Death Sentence opposite Kevin Bacon.
In 2010, he played a leading role alongside Jeff Bridges in Tron: Legacy, a sequel to the 1982 film Tron. The film was released on December 17, 2010.
Hedlund also co-starred with Gwyneth Paltrow, Leighton Meester and reunited with country singer/musician Tim McGraw in the country music drama Country Strong; which was released on January 7, 2011. For this film, he recorded several songs among which "Chances Are", which appeared on Country Strong: Original Motion Picture Soundtrack. His performance was well received by critics; noting voice similarities between him and Charlie Robison, Roughstock said "the best song on this album belongs to him" and Country Weekly wrote that of all the songs performed by actors in this film, his was "the most convincing". Six other songs including a duet with Leighton Meester were featured on a second soundtrack titled Country Strong: More Music from the Motion Picture.
He also appears as Dean Moriarty in the 2012 film On the Road, along with Kristen Stewart, Amy Adams, Steve Buscemi, Terrance Howard, Kirsten Dunst and Viggo Mortensen. The film was directed by Walter Salles and based on the novel of same name by Jack Kerouac.
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Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
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“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)