The Game Boy Player (ゲームボーイプレーヤー, Gēmu Bōi Purēyā?) (DOL-017) is a device made by Nintendo for the Nintendo GameCube which enables Game Boy (although Super Game Boy enhancements are ignored), Game Boy Color, or Game Boy Advance cartridges to be played on a television. It was the last Game Boy-based add-on to a Nintendo console. It connects via the high speed parallel port at the bottom of the GameCube and requires use of a boot disc to access the hardware. Unlike devices such as Datel's Advance Game Port, the Game Boy Player does not use software emulation, but instead uses physical hardware nearly identical to that of a Game Boy Advance.
Read more about Game Boy Player: Design and Features, Controllers, On-screen Menu, Compatibility, Rumble Enabled, Reception, Advance Game Port
Famous quotes containing the words game, boy and/or player:
“Wild Bill was indulging in his favorite pastime of a friendly game of cards in the old No. 10 saloon. For the second time in his career, he was sitting with his back to an open door. Jack McCall walked in, shot him through the back of the head, and rushed from the place, only to be captured shortly afterward. Wild Bill’s dead hand held aces and eights, and from that time on this has been known in the West as “the dead man’s hand.””
—State of South Dakota, U.S. public relief program (1935-1943)
“We read that the traveller asked the boy if the swamp before him had a hard bottom. The boy replied that it had. But presently the traveller’s horse sank in up to the girths, and he observed to the boy, “I thought you said that this bog had a hard bottom.” “So it has,” answered the latter, “but you have not got half way to it yet.” So it is with the bogs and quicksands of society; but he is an old boy that knows it.”
—Henry David Thoreau (1817–1862)
“There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.”
—Muriel Rukeyser (1913–1980)