Gale Gordon - Selected Film/TV Roles

Selected Film/TV Roles

  • Here We Go Again (1942) - Otis Cadwalader
  • My Favorite Husband (1948-1951) - Mr. Rudolph Atterbury
  • Here Come the Nelsons (1952) - H.J. Bellows
  • I Love Lucy - (two episodes)
  • Francis Covers the Big Town (1953) - Dist. Atty. Evans
  • Our Miss Brooks - Osgood Conklin (also on radio)
  • Climax! - Dr. Raymond Forrest (1956)
  • The Real McCoys - P. T. Kirkland (one episode)
  • Playhouse 90 - Ed Keller (1957–1958)
  • Studio One - R.J. Fuller (1958)
  • The Lucy-Desi Comedy Hour - Judge (1958)
  • Rally 'Round the Flag, Boys! (1958) - Brig. Gen. W.A. Thorwald
  • Don't Give Up the Ship (1959) - Congressman Mandeville
  • The 30 Foot Bride of Candy Rock (1959) - Raven Rossiter
  • Visit to a Small Planet (1960) - Bob Mayberry
  • All Hands on Deck (1961) - Cmdr. Bintle
  • Harrigan and Son - Merril Davis (1961)
  • Pete and Gladys - Uncle Paul Porter (1960–1962)
  • Dennis the Menace - John Wilson (1962–1963)
  • Sergeant Dead Head (1965) - Capt. Weiskopf
  • The Danny Thomas Hour - Baxter (1967)
  • The Lucy Show - Mr. Theodore J. Mooney (1963–1968)
  • Speedway (1968) - R.W. Hepworth
  • Here's Lucy - Harrison Otis Carter (1968–1974)
  • Lucy Calls the President (1977) (TV) - Omar Whittaker
  • The Honeymooners Christmas Special (1977) (TV) - Ralph's boss
  • Life With Lucy (1986) - Curtis McGibbons
  • The 'Burbs (1989)
  • Hi Honey, I'm Home - Theodore J. Mooney (1991)
  • The New Lassie (1991)

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    “The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
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    “Modern women are squeezed between the devil and the deep blue sea, and there are no lifeboats out there in the form of public policies designed to help these women combine their roles as mothers and as workers.”
    —Sylvia Ann Hewitt (20th century)