G. R. Sharma - Works

Works

  • The excavations at Kausambi (1957–59): The defences and the Syenaciti of the Purusamedha, Dept. of Ancient History, Culture & Archaeology, University of Allahabad (1960)
  • Excavations at Kausambi, 1949–50, (Memoirs of the Archaeological Survey of India), Manager of Publications (1969)
  • Kusana Studies – Papers Presented to the International Conference on the Archaeology, History and Arts of the People of Central Asia in the Kusana Period – Dushambe (Tadjikistan) U.S.S.R. September 25 – October 4, 1968, University of Allahabad (1968)
  • Beginnings of Agriculture: from Hunting and Food Gathering to Domestication of Plants and Animals : Epi-Palaeolithic to Neolithic : Excavations at Chopani-Mando, Mahadaha, and Mahagara, Abinash (1980)
  • Excavations at Chopani-Mando, Belan Valley, 1977-79: Epipalaeolithic to protoneolothic (Archaeology of the Vindhyas and the Ganga Valley), Dept. of Ancient History, Culture and Archaeology, University of Allahabad (1980)
  • Excavations at Mahadaha, 1977-1978: A mesolithic settlement in the Ganga Valley (Archaeology of the Vindhyas and the Ganga Valley), Dept. of Ancient History, Culture and Archaeology, University of Allahabad (1980)
  • Excavations at Mahagara, 1977-1978: A neolithic settlement in the Belan Valley (Archaeology of the Vindhyas and the Ganga Valley), Dept. of Ancient History, Culture and Archaeology, University of Allahabad (1980)
  • Reh Inscription of Menander and the Indo Greek Invasion of the Ganga Valley, (Studies in history, culture and archaeology / University of Allahabad, Dept. of Ancient History, Culture and Archaeology) Abinash Prakashan (1980)

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Famous quotes containing the word works:

    That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.
    Lydia M. Child (1802–1880)

    Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.
    Henry David Thoreau (1817–1862)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)