Fungi From Yuggoth - Themes

Themes

The first three poems in the sequence concern a person who obtains an ancient book of esoteric knowledge that seems to allow one to travel to parallel realities or strange parts of the universe. Later poems deal more with an atmosphere of cosmic horror, or create a mood of being shut out from former felicity, and do not have a strong narrative through-line except occasionally over a couple of sonnets (e.g. 17-18). In that the book at the beginning provides 'the key' to the author's 'vague visions' (Sonnet 3) of other realities behind the everyday, it might be argued that the poems that follow, though disparate in themselves, detail a succession of such visions that a reading of it releases. With one or two exceptions, the concluding poems from "Expectancy" (28) onward seek to explain the circumstances of the narrator's sense of alienation within the present. Rather than visions themselves, these poems serve as a commentary on their source.

The sonnets see-saw between various themes in much the same way as do Lovecraft's short stories. There are references to the author's night terrors in "Recognition" (4), a potent source for his later fiction and carrying forward into dream poems related to his Dunsany manner; to intimations of an Elder Race on earth; and to nightmare beings from Beyond. That these themes often cross-fertilize each other is suggested by "Star Winds" (14), which taken purely by itself is an exercise in Dunsanian dream-lore. However, beginning in the month after finishing his sequence, Lovecraft set to work on his story The Whisperer in Darkness (1931) where Yuggoth is recreated as a planet of fungoid beings given the name Mi-go. In the sonnet, the fungi sprout in a location called Yuggoth, not on an alien planet; and in its following line Nithon is described as a world with richly flowering continents rather than, as in the story, Yuggoth's occulted moon. This is a good instance of how Lovecraft gave himself license to be self-contradictory and vary his matter according to the artistic need of the moment, of which the diversity of conflicting situations within the whole sequence of sonnets is itself an example. Or, as he himself puts it in "Star Winds",

Yet for each dream these winds to us convey,
A dozen more of ours they sweep away!

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