Production Strategies
Frontline broke new ground for Australian situation comedy, by adopting some innovative production strategies. Its rapid production schedule was inspired by UK series Drop The Dead Donkey, where each episode was written and taped in a single week and scripts were closely based on the real news stories of the preceding seven days.
The Frontline scripts were likewise written and the series filmed with a short period, often within a single week. It was a fully collaborative effort, with Cilauro, Kennedy, Gleisner and Sitch all sharing writing and directing duties, and the cast all contributing ideas during all stages of production. So sometimes when the show appeared on then-current events, it was a coincidence, as episodes were delayed by several months. In other cases there was direct commentary on real events, albeit not extremely recent ones.
To create a heightened illusion of grainy documentary realism, footage was shot under fluorescent lights in an actual office building set, and taped on hand-held Hi-8 video cameras usually operated by Gleisner and Cilauro. The footage was then transferred onto film and finally transferred back to videotape (see: Kinescope). Footage that was portrayed as being part of the Frontline broadcast (i.e. Studio or field reports) was shot at broadcast quality, to increase the "realism" of the satire and complement the behind the scenes footage.
Read more about this topic: Frontline (Australian TV series)
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