Number One On Pop and Country Charts
In 1974, Fender recorded "Before the Next Teardrop Falls". The single was selected for national distribution and became a number one hit on the Billboard Country and Pop charts. It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in May 1975. His next three singles, "Secret Love", "You'll Lose a Good Thing" and a remake of "Wasted Days and Wasted Nights", all reached number-one on the Billboard Country charts. Between 1975 and 1983, Fender charted 21 country hits, including "Since I Met You Baby", "Vaya con Dios", "Livin' It Down", and "The Rains Came". "Wasted Days and Wasted Nights" became Fender's second million-selling single, with the gold disc presentation taking place in September 1975.
Fender also was successful on the pop charts. Besides "Before the Next Teardrop Falls" reaching number 1 on the pop charts in May 1975, "Wasted Days And Wasted Nights" went into the pop top 10 and "Secret Love" into the top 20. "Since I Met You Baby", "You'll Lose A Good Thing" (his last pop top 40), "Vaya con Dios", and "Livin' It Down" (his last to reach the pop top 100) all did well on the pop charts.
While notable for his genre-crossing appeal, several of Fender's hits featured verses or choruses in Spanish. Bilingual songs seldom hit the pop charts, and when they did it was because of novelty. Bilingual songs reaching the country charts was even more unusual.
Read more about this topic: Freddy Fender
Famous quotes containing the words number, pop, country and/or charts:
“I think, for the rest of my life, I shall refrain from looking up things. It is the most ravenous time-snatcher I know. You pull one book from the shelf, which carries a hint or a reference that sends you posthaste to another book, and that to successive others. It is incredible, the number of books you hopefully open and disappointedly close, only to take down another with the same result.”
—Carolyn Wells (1862–1942)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The country is fed up with children and their problems. For the first time in history, the differences in outlook between people raising children and those who are not are beginning to assume some political significance. This difference is already a part of the conflicts in local school politics. It may spread to other levels of government. Society has less time for the concerns of those who raise the young or try to teach them.”
—Joseph Featherstone (20th century)
“There’s one basic rule you should remember about development charts that will save you countless hours of worry.... The fact that a child passes through a particular developmental stage is always more important than the age of that child when he or she does it. In the long run, it really doesn’t matter whether you learn to walk at ten months or fifteen months—as long as you learn how to walk.”
—Lawrence Kutner (20th century)