Frankenstein: The True Story is a 1973 American made-for-television horror film loosely based on the novel Frankenstein by Mary Shelley. It was directed by Jack Smight, and the screenplay was co-written by novelist Christopher Isherwood.
The film starred Leonard Whiting as Victor Frankenstein, Jane Seymour as Prima, David McCallum as Henry Clerval, James Mason as Dr Polidori and Michael Sarrazin as the Creature. James Mason's wife, Clarissa Kaye-Mason also appeared in the film.
The character of Dr Polidori, who did not appear in the original novel, was based on the character of Dr. Pretorius from Universal Pictures Bride of Frankenstein, but named after the real-life John Polidori, an acquaintance of author Mary Shelley who was part of the competition that produced her novel. Polidori's own contribution was the first modern vampire story The Vampyre (1819).
A notable feature of the production is that, instead of being ugly from the start, the Creature is portrayed as physically beautiful but increasingly hideous as the film progresses. The make-up was by Hammer horror veteran artist Roy Ashton.
It was originally broadcast in two 90-minute parts, but is often seen edited into a single film. Its DVD debut date was September 26, 2006. Included at the beginning is a short intro featuring James Mason wandering through St John's Wood churchyard, London. He suggests that this is where Mary Shelley is buried, which is incorrect (she is in fact buried in the family plot in Dorset), despite standing beside a gravestone bearing her name.
Read more about Frankenstein: The True Story: Cast, Paperback Tie-in, Inspirations For The Film
Famous quotes containing the words true and/or story:
“Your true traveller finds boredom rather agreeable than painful. It is the symbol of his liberty—his excessive freedom. He accepts his boredom, when it comes, not merely philosophically, but almost with pleasure.”
—Aldous Huxley (1894–1963)
“Personal beauty is then first charming and itself, when it dissatisfies us with any end; when it becomes a story without an end; when it suggests gleams and visions, and not earthly satisfactions; when it makes the beholder feel his unworthiness; when he cannot feel his right to it, though he were Caesar; he cannot feel more right to it than to the firmament and the splendors of a sunset.”
—Ralph Waldo Emerson (1803–1882)