Contemporary Composers and Experimental Projects
The history of Electronic Music, from Stockhausen to DJ Spooky and Squarepusher, was the subject of Sonic Acts (1998). This was followed by three experimental projects searching for the influence of the digital medium in film and music: Sonic Images (1998), Sonic Fragments / The Poetics of Digital Fragmentation (1999) and Sonic Genetics (2000).
In 1999 Scheffer made Music for Airports, a video on Brian Eno's music of the same name as arranged by Bang on a Can founders Julia Wolfe, Michael Gordon, David Lang and Evan Ziporyn. The sprawling In the Ocean (2001), on present day New York composers, features Steve Reich, Philip Glass, Elliott Carter, John Cage, Brian Eno and the Bang on a Can founders.
Scheffer is also working on several in depth films on specific composers — The Present Day Composer Refuses to Die on Frank Zappa, in cooperation with the Zappa Family Trust (2000, featuring The Mothers of Invention, Pierre Boulez and Ensemble Modern), and the 90-minute Zappa feature Phaze II, The Big Note (2002), to be followed by a third film which will complete his Zappa trilogy. Scheffer has been following and filming Elliott Carter for 25 years; this culminated in A Labyrinth of Time (2005), a portrait on the composer as well as a view of the history of modernism in the 20th century. In 2005 Scheffer also finished a documentary on the Tea-Opera composed by Tan Dun, with Pierre Audi (Director) and Xiu Ying Li (libretto), Tea.
Read more about this topic: Frank Scheffer
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“Men are so charmed with valor that they have pleased themselves with being called lions, leopards, eagles and dragons, from the animals contemporary with us in the geologic formations.”
—Ralph Waldo Emerson (1803–1882)
“More significant than the fact that poets write abstrusely, painters paint abstractly, and composers compose unintelligible music is that people should admire what they cannot understand; indeed, admire that which has no meaning or principle.”
—Eric Hoffer (1902–1983)
“When we run over libraries persuaded of these principles, what havoc must we make? If we take in our hand any volume; of divinity or school metaphysics, for instance; let us ask, Does it contain any abstract reasoning concerning quantity or number? No. Does it contain any experimental reasoning concerning matter of fact and existence? No. Commit it then to the flames; for it can contain nothing but sophistry and illusion.”
—David Hume (1711–1776)
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—Jane Jacobs (b. 1916)