Popular Culture
Throughout his aviation career, Hawks was continually in the news, and was often linked with other famous aviators, including Jimmy Doolittle, Amelia Earhart, Charles Lindbergh and Eddie Rickenbacker, all of whom were personal friends. More than any other contemporary aviation figure, with the possible exception of Alexander P. de Seversky, Hawks exploited his image as an "ace" pilot with countless promotional ventures. Besides numerous advertisements that spotlighted the Hawks image (commonly billed above the title as "Captain Frank Hawks" but sometimes oddly called "Meteor Man"), he was a prominent spokesman for Post Cereals, featured in newspaper comic strips and children's adventure books. Through his "Air Hawks" and "Sky Patrol" fan clubs, Hawks was a favorite with young children.
Hawks was also active in many causes; he flew noted humorist Will Rogers in a fund-raising campaign for the Red Cross to assist Oklahoma drought victims in 1931. During his odyssey with Rogers, they became friends and when the humorist realized that Hawks had natural acting ability, enlisted the pilot into his folksy act. Hawks gradually became more active in entertainment ventures with his long-running radio serial ("Hawk's Trail"), a starring role in Klondike (1932), and becoming the leading actor in a film serial, The Mysterious Pilot (1937). A prolific writer, he wrote a second book, Once to Every Pilot in 1936, along with numerous articles for publication, always promoting aviation.
Read more about this topic: Frank Hawks
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“Both gossip and joking are intrinsically valuable activities. Both are essentially social activities that strengthen interpersonal bondswe do not tell jokes and gossip to ourselves. As popular activities that evade social restrictions, they often refer to topics that are inaccessible to serious public discussion. Gossip and joking often appear together: when we gossip we usually tell jokes and when we are joking we often gossip as well.”
—Aaron Ben-ZeEv, Israeli philosopher. The Vindication of Gossip, Good Gossip, University Press of Kansas (1994)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writinghe will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (19051975)