Early Life and Career
Frank Guarrera was born in Philadelphia, Pennsylvania to parents of Sicilian origin. He was first exposed to opera at the Victor Café in South Philadelphia, and his earliest performance experiences were made with his high school's choir. He began his musical studies at the Curtis Institute of Music in his native city, where he was a pupil of Richard Bonelli and Eufemia Giannini-Gregory. He spent two years serving in the United States Navy during World War II, and then returned to the Curtis Institute to complete his studies.
Guarrera made his professional debut as Silvio in I Pagliacci, at the New York City Opera in 1947. That same year he appeared at the Tanglewood Music Festival as the voice of the Oracle of Neptune in Mozart's Idomeneo. Shortly after, he won the Metropolitan Opera's Auditions of the Air which led to his being offered a Met contract by then general manager Edward Johnson. The competition win also brought him to the attention of conductor Arturo Toscanini, who invited Guarrera to make his La Scala debut as Fanuel in Arrigo Boito's Nerone in 1948. Guarrerra said of the experience of singing Nerone for the first time,
"For all I knew, it could have been by Beethoven. I was taken to Toscanini's studio at NBC. That was Studio 8H, the famous one, and of course his dressing room was like a huge apartment. We walked into this gorgeous living room with a grand piano, and there he was, this little guy, with his pince-nez glasses. After some small talk in Italian, he put his hand on my shoulder and asked me to sing. So I unbuttoned my collar -- I had no fear whatsoever -- and I sang. Later, Toscanini's son, Walter, spoke to me. 'Well, Mr. Guarrera, my dad would like to invite you to sing at La Scala. Will you be able to make it? Are you busy?' And that's how I made my debut in Milan. I sang the last two acts of Nerone, fully staged, under Toscanini, in a program that opened with the Mefistofele prologue. The bass playing the devil was a young man named Cesare Siepi. Little did I know that someone recorded that performance. But this thing exists, and if you play it at the right speed, it's not bad."
Following Nerone, Guarrera sang in two more productions at La Scala in 1948, Zurga in a new production of Les Pêcheurs de Perles with Onelia Fineschi, and Manfredo in L'amore dei tre re with Clara Petrella and Nicola Rossi-Lemeni.
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