Acting
De Vol was also an actor specializing in deadpan comic characters, especially as bandleader Happy Kyne on the 1970s talk show parodies Fernwood 2 Night and America 2-Night. He also appeared in TV series I'm Dickens, He's Fenster, I Dream of Jeannie, Bonanza, Petticoat Junction, Mickey starring Mickey Rooney, The Brady Bunch, Get Smart (at least 2 appearances as Prof. Carleton), and The Jeffersons. De Vol had also comic roles as Chief Eaglewood, the head of the Thundercloud Boys' Camp in The Parent Trap, and as the onscreen narrator in Jerry Lewis's 1967 comedy film The Big Mouth.
De Vol also appeared as a Bandleader in the last season of My Three Sons, in addition to writing the theme music and serving as in-house composer for most of the show's twelve seasons. He also scored most episodes of Family Affair, including many of the same incidental music cues as My Three Sons.
De Vol preferred to be credited as "Frank De Vol" for his acting appearances, and as "De Vol" for his musical work.
Read more about this topic: Frank De Vol
Famous quotes containing the word acting:
“Between the acting of a dreadful thing
And the first motion, all the interim is
Like a phantasma or a hideous dream.
The genius and the mortal instruments
Are then in council, and the state of man,
Like to a little kingdom, suffers then
The nature of an insurrection.”
—William Shakespeare (1564–1616)
“It especially helps if you know that we’re all faking our adulthood—even your parents and their parents. Beneath these adult trappings—in our president, in our parents, in you and me—lurk the emotions of a child. If we know that only about ourselves, we become infantile; if we understand that about everybody, then we have nothing to be ashamed of—unless, of course, we go around acting like a child and expecting everyone else to act like grownups.”
—Frank Pittman (20th century)
“The old-fashioned idea that the simple piling up of experiences, one on top of another, can make you an artist, is, of course, so much rubbish. If acting were just a matter of experience, then any busy harlot could make Garbo’s Camille pale.”
—Helen Hayes (1900–1993)