Frank Bello - Equipment

Equipment

In the early days on Anthrax, Bello used an ESP Precision-styled bass, possibly a 400 series, that had EMG P-bass and J-bass pickups. He began using Fender P-basses around the time of Persistence of Time until the release of his signature model. Bello has a signature model Fender Jazz bass. The model combines a Fender Aerodyne body with a Precision Bass-width neck, Alder body wood (as opposed to the Aerodyne's Basswood) and a mix of Precision and Jazz bass pickups along with non-standard custom-chosen hardware. Pickups used on the bass are Seymour Duncan SPB-3 precision bass pickup in the neck position and a Samarium Cobalt Noiseless Jazz Bass pickup in the bridge position, although Bello's personal bass now is equipped with EMG HZ Passive pickups which Bello prefers "as the output is... a lot louder" and he gets "a lot more punch". Bello also has a signature Squier electric jazz bass. It features P/J style pick up combination and a skull inlay/body graphic.

The ESP Frank Bello and LTD FB-4 are both based on the ESP Vintage-4 model, customized to Belloʼs specifications with a Black Satin finish and black anodized aluminum pickguard, ebony fingerboard with black pearloid block inlays, EMG PJ-X active pickups and a Gotoh bridge. The basses feature bolt-on construction at 34" scale, an alder body, and maple neck with 21 XJ frets. There is a writing of "R.I.P. Dimebag" on Bello's bass guitar (Fender model) for tribute to deceased Pantera and Damageplan guitarist Dimebag Darrell. After constant touring with Megadeth's bass player, David Ellefson, Frank switched to a Hartke LH1000 and HyDrive cabinets. On tour, he also use a SansAmp Bass driver for a "grinding tone" for "Got The Time" song.

Read more about this topic:  Frank Bello

Famous quotes containing the word equipment:

    Dr. Scofield’s equipment, which you have just seen, radiated waves direct to Professor Houghland’s laboratory. When these waves came in contact with those the professor’s equipment was radiating, they created the interstellar frequency, which is the death ray.
    Joseph O’Donnell, and Clifford Sanforth. Arthur Perry (Bela Lugosi)

    Biological possibility and desire are not the same as biological need. Women have childbearing equipment. For them to choose not to use the equipment is no more blocking what is instinctive than it is for a man who, muscles or no, chooses not to be a weightlifter.
    Betty Rollin (b. 1936)

    Pop artists deal with the lowly trivia of possessions and equipment that the present generation is lugging along with it on its safari into the future.
    —J.G. (James Graham)