Sound
Frances the Mute is comparable to The Mars Volta's 2003 release De-Loused in the Comatorium, with its cryptic lyrics and highly layered instrumentals, although the progressive rock influence is stronger on Frances the Mute than it was on De-Loused in the Comatorium. Perhaps because of inspiration from such Pink Floyd albums as Meddle, ambient noise plays a larger role on Frances the Mute than it does on De-Loused in the Comatorium. Notably, "Cygnus....Vismund Cygnus" ends with the recording of children's voices and passing cars (said to be made by Omar in front of the house where he used to live with Cedric and Jeremy), while "Miranda That Ghost Just Isn't Holy Anymore" begins with 4 minutes of coquí frogs (credited as "The Coquí of Puerto Rico" on the album sleeve) singing while a thick soundscape is slowly built from Cedric Bixler-Zavala's voice and synthesizers.
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Famous quotes containing the word sound:
““Obedience” and “law”Mthat is what one hears in all moral sentiments. But “caprice” and “freedom” might yet be the last sound that morality makes in the end.”
—Friedrich Nietzsche (1844–1900)
“the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying through the lawn,
The moan of doves in immemorial elms,
And murmuring of innumerable bees.’”
—Alfred Tennyson (1809–1892)
“Therefore when thou doest thine alms, do not sound a trumpet before thee, as the hypocrites do in the synagogues and in the streets, that they may have glory of men. Verily I say unto you, they have their reward. But when thou doest alms, let not thy left hand know what thy right hand doeth.”
—Bible: New Testament Jesus, in Matthew, 6:2-3.
From the Sermon on the Mount.