For All Debts Public and Private - Production

Production

  • This episode was the first one to be aired after the September 11, 2001 terrorist attacks. From this episode on, the shot of the World Trade Center Towers in the opening credits is absent, replaced by additional shots of industrial scenery before reaching the toll booth.
  • Vince Curatola (Johnny Sack) is now billed in the opening credits but only for the episodes which he appears in.
  • Paulie's prison stay was written into the series to allow more time off for actor Tony Sirico, who was recovering from major back surgery.
  • The wrestler Johnny Valiant appears in this episode as Carmine Lupertazzi's bodyguard.
  • A comment made by Carmine Lupertazzi to Tony Soprano, "A don doesn't wear shorts", was added into the show after series creator David Chase was contacted by a supposed real-life mafia associate who praised him on the authenticity of the show, with the exception that Tony often wears shorts, which he said a real don would never do.
  • This is the only Sopranos episode in which the end credits roll on top of a picture (the eye of the twenty dollar bill) instead of a black background.

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Famous quotes containing the word production:

    The production of too many useful things results in too many useless people.
    Karl Marx (1818–1883)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
    Karl Marx (1818–1883)