The Film
The film features Adélie Penguins that live in Antarctica. Adélie penguins are one of the most southern seabirds in the world. The film claims that long and extremely cold Antarctic winters forced some groups of Adélies to adapt by (re)gaining the ability to fly. In the film the penguins travel thousands of miles to the rainforests of South America. The narrative of the film discourages adventurers from trying to see flying penguins on their own. These birds are rare, "elusive and secretive". It is all but impossible to find them in the dense jungles of South America, or even to see their migration over the southern oceans. After migrating, the penguins are shown landing in the canopy of the rainforest.
The film was narrated by Terry Jones (of Monty Python fame). Walking in Antarctica between Adélies, Jones says:
We'd been watching the penguins and filming them for days, without a hint of what was to come. But then the weather took a turn for the worse. It was quite amazing. Rather than getting together in a huddle to protect themselves from the cold, they did something quite unexpected, that no other penguins can do.
The film shows birds taking off one after another, with the whole sky soon becoming filled with flying penguins. First the film shows the penguins flying over icebergs and through a hole in an iceberg. Antarctica is then left behind and viewers see the green of South America's rainforests.
Read more about this topic: Flying Penguin
Famous quotes containing the word film:
“All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.”
—François Truffaut (1932–1984)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)