Floral Design - Dried Arrangements and Related Media

Dried Arrangements and Related Media

Permanent creations and components incorporating dried materials such as bark, wood, dried flowers, dried (and often aromatic) inflorescences, leaves, leaf skeletons, preserved materials and artefacts, are common extensions of the art floral design, and are of practical importance in that they last indefinitely and are independent of the seasons. Their materials offer effects, idioms, and associations complementary to, and contrasting with, fresh flowers and foliage.

Read more about this topic:  Floral Design

Famous quotes containing the words dried, arrangements, related and/or media:

    Winter kept us warm, covering
    Earth in forgetful snow, feeding
    A little life with dried tubers.
    —T.S. (Thomas Stearns)

    Autonomy means women defining themselves and the values by which they will live, and beginning to think of institutional arrangements which will order their environment in line with their needs.... Autonomy means moving out from a world in which one is born to marginality, to a past without meaning, and a future determined by others—into a world in which one acts and chooses, aware of a meaningful past and free to shape one’s future.
    Gerda Lerner (b. 1920)

    One does not realize the historical sensation as a re-experiencing, but as an understanding that is closely related to the understanding of music, or rather of the world by means of music.
    Johan Huizinga (1872–1945)

    One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.
    Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)