British Popular Culture
In British popular culture the flat cap has been associated with older working class men, especially those in northern England, and the west country, as personified by Fred Dibnah and comic strip anti-hero Andy Capp. The flat cap's strong connection with the working class and the East End of London is illustrated by Jim Branning of EastEnders and Del-Boy Trotter of Only Fools and Horses. Taxicab and bus drivers are often depicted wearing a flat cap, as comedically portrayed by Norman Hale and Gareth Pace's (Hale and Pace) "London cabbies" sketches. A working class native of Newcastle in north east England, AC/DC vocalist Brian Johnson customarily wears a flat cap on stage and frequently off.
The popularity of the flat cap also remains strong with fans of English country clothing, rural and agricultural workers, the country set or those who simply find them practical, though it tends to be associated with an older generation of wearers it's not restricted to that age as its an all age style. Charles, Prince of Wales, is often photographed in a tweed or tartan flat cap at his various country residences.
Read more about this topic: Flat Cap
Famous quotes containing the words popular culture, british, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
—Ralph Waldo Emerson (1803–1882)
“When a culture feels that its end has come, it sends for a priest.”
—Karl Kraus (1874–1936)