Flat Cap - British Popular Culture

British Popular Culture

In British popular culture the flat cap has been associated with older working class men, especially those in northern England, and the west country, as personified by Fred Dibnah and comic strip anti-hero Andy Capp. The flat cap's strong connection with the working class and the East End of London is illustrated by Jim Branning of EastEnders and Del-Boy Trotter of Only Fools and Horses. Taxicab and bus drivers are often depicted wearing a flat cap, as comedically portrayed by Norman Hale and Gareth Pace's (Hale and Pace) "London cabbies" sketches. A working class native of Newcastle in north east England, AC/DC vocalist Brian Johnson customarily wears a flat cap on stage and frequently off.

The popularity of the flat cap also remains strong with fans of English country clothing, rural and agricultural workers, the country set or those who simply find them practical, though it tends to be associated with an older generation of wearers it's not restricted to that age as its an all age style. Charles, Prince of Wales, is often photographed in a tweed or tartan flat cap at his various country residences.

Read more about this topic:  Flat Cap

Famous quotes containing the words popular culture, british, popular and/or culture:

    “Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
    —Mason Cooley (b. 1927)

    “Among the virtues and vices that make up the British character, we have one vice, at least, that Americans ought to view with sympathy. For they appear to be the only people who share it with us. I mean our worship of the antique. I do not refer to beauty or even historical association. I refer to age, to a quantity of years.”
    —William Golding (b. 1911)

    “Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
    —Mason Cooley (b. 1927)

    “The fact remains that the human being in early childhood learns to consider one or the other aspect of bodily function as evil, shameful, or unsafe. There is not a culture which does not use a combination of these devils to develop, by way of counterpoint, its own style of faith, pride, certainty, and initiative.”
    —Erik H. Erikson (1904–1994)