Novels
The first novel based on the strip, Flash Gordon in the Caverns of Mongo, was published in 1936 by Grosset & Dunlap. The credited author was Alex Raymond. Like the pulp magazine of the same year, it failed to launch a series.
In 1973, Avon books launched a six-book series of adult-oriented Flash Gordon novels: The Lion Men of Mongo, The Plague of Sound, The Space Circus, The Time Trap of Ming XIII, The Witch Queen of Mongo and The War of the Cybernauts. Although the books were credited to Alex Raymond, they were all written by SF writer Ron Goulart.
In 1980, Tempo books released a series by David Hagberg: Massacre in the 22nd Century, War of the Citadels, Crisis on Citadel II, Forces from the Federation, Citadels under Attack and Citadels on Earth. Except for the names of the hero and his co-stars of Dale Arden and Dr. Hans Zarkov, this series had little to do with any other version of Flash Gordon.
Read more about this topic: Flash Gordon
Famous quotes containing the word novels:
“The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
—Milan Kundera (b. 1929)
“Fathers and Sons is not only the best of Turgenev’s novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm his—that character’s—absence of introspection and at the same time would not be a journalist’s dummy of the socialistic type.”
—Vladimir Nabokov (1899–1977)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)