The Flammarion engraving is a wood engraving by an unknown artist, so named because its first documented appearance is in Camille Flammarion's 1888 book L'atmosphère: météorologie populaire ("The Atmosphere: Popular Meteorology"). The engraving has often, but erroneously, been referred to as a woodcut. It has been used to represent a supposedly medieval cosmology, including a flat earth bounded by a solid and opaque sky, or firmament, and also as a metaphorical illustration of either the scientific or the mystical quests for knowledge.
Read more about Flammarion Engraving: Description, Attribution, Context in Flammarion's Book, Literary Sources, Later Uses and Interpretations
Famous quotes containing the word engraving:
“For I so truly thee bemoane,
That I shall weep though I be Stone:
Until my Tears, still drooping, wear
My breast, themselves engraving there.
There at me feet shalt thou be laid,
Of purest Alabaster made:
For I would have thine Image be
White as I can, though not as Thee.”
—Andrew Marvell (1621–1678)