Plot
Former thief turned security specialist Kincaid Lawrence "Cade" Foster’s life was idyllic, with a beautiful wife, good job and a nice house. Unbeknownst to him, a race of extraterrestrials called the Gua have identified him as subject 117 in an experiment to test human resilience. As part of this experiment, his life is systematically ruined, including the murder of his wife, for which he is framed. He is the only one of the 117 subjects to solve the riddles of the experiment and escape arrest to live as a fugitive. The Gua are among humans in the form of hybridised genetic clones and plan to enslave humanity—the first of three “waves” intent on conquering and finally destroying the human race. Constantly pursued by the police, and a strange government agency called the Illuminati, Foster discovers previously unknown quatrains of Nostradamus, which tell of three waves that will destroy the planet unless the “twice-blessed man” can stop them. For this reason, Foster investigates strange occurrences that may have ties to the Nostradamus quatrains, hoping to find what he needs to stop the Gua.
"Crazy" Eddie Nambulous is a computer hacker who helps Cade Foster and works on a web tabloid Paranoid Times. He uses Cade’s journal to tell people that the "aliens are here, walking among us, laying the groundwork for an impending invasion." After scanning the prophecies of Nostradamus into his computer, he analyzes and cross-references the quatrains with bizarre current events to which they may be connected. Foster and Eddie use these quatrains to understand the Gua invasion and search for any and all tools that may aid them in stopping the invasion in its First Wave.
One of the Gua, Joshua, does not believe the invasion of Earth is necessary. Although he wants the best for his people, he helps Cade and Eddie stop his people from initiating the “Second Wave” — the invasion itself, in which 19 million people will die.
Read more about this topic: First Wave (TV Series)
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Those blessed structures, plot and rhyme—
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—Robert Lowell (1917–1977)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)