Criticism
Since their introduction in 1992, the FIFA World Rankings have been the matter of much debate, particularly regarding the calculation procedure and the resulting disparity between generally perceived quality and world ranking of some teams. For example Norway was ranked second in October 1993 and July–August 1995, and the United States reached fourth in 2006, to the surprise of even their own players. However, criticism regarding the unrealistic ranking continued even after the introduction of the new formula. Israel's climb to 15th in November 2008 raised a few eyebrows even in the Israeli press, with the team missing a huge opportunity to break into the top 10 after conceding a last gasp equaliser against Latvia.
Prior to July 2006, one of the main criticisms was that the rankings considered the performances of teams over an eight-year period, and that teams' ranking positions did not correlate to their recent performances. This criticism has lessened somewhat with the introduction of a new formula, reflecting results over a four-year period, introduced in July 2006. The perceived flaws in the FIFA system have led to the creation of a number of alternative rankings from football statisticians, including the World Football Elo Ratings and the rec.sport.soccer Statistics Foundation rankings.
Read more about this topic: FIFA World Rankings
Famous quotes containing the word criticism:
“I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.”
—Gerard Manley Hopkins (1844–1889)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)